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Mine was manufactured in Taiwan. It has the two essential settings for handling this type of effect: So basically, it will be satisfied with the equalization of the amp, and only be used in mono, unlike many chorus pedals latest offering stereo use. That said, I think most fans are content to guitar amp, so have a stereo pedal in this case is unnecessary. I use it with a Start and a Hot Rod, only in clear, light enough for a chorus, a little style to that heard in “Purple Rain”. To my mind this type of chorus that it excels. Be careful, it tends to slightly boost the signal, which is not ideal but that does not bother me too much. I like its simplicity, it’s really a pedal “plug and play”. Being a fan of this type of effect, I had the opportunity to play with a foot-5 boss what I used for a year to sell it later because I found it very clean and functional, but unfortunately a little bland especially compared to the chorus of the Marshall amp I was using at the time.

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See the lowest price on Amazon. I played a Fender American Standard Stratocaster through the CH-1 into a jangly clean amp and immediately found a very nice depth added to the sound. With mild tweaking from those settings I sound a satisfying level of atmosphere added to my tone. The Boss CH-1 adds a lush expanse to your sound with its gentle motion. Adjusting the Effect Level and Depth controls let you saturate your sound nicely for thick sound. The effect sounds very full-range, and I like how the EQ knob lets you accentuate the highs or lows.

With a higher Rate setting I was able to capture a nice rotating Leslie-like sound. Pushing the rate to higher settings turns this pedal into a very extreme tremolo-like effect, too. And the CH-1 does a great flanger impression with experimentation with the depth and rate knobs. I highly recommend trying it in stereo through two heavily distorted amps. It is a lush and versatile chorus pedal, great for clean and high-gain sounds. It also simulates a range of effects nicely, including flanger, rotating Leslie, and tremolo effects.

Its full range and warm sound make it a great option for anyone seeking a not so hi-fi chorus pedal. While tonal character is all a matter of personal preference, the Boss CH-1 offers a satisfying sound that just might make it your chorus of choice.

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If this item contains incorrect or inappropriate information please contact us here to flag it for review. Works perfectly from mains or battery and has the classic chorus sound CE-2 Chorus The CE-2 was the first compact pedal chorus from Boss. The CE-2 builds on the legacy of the CE-1 but isn’t identical. The middle region is boosted in the CE-2 compared to the CE

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Vintage 1980 Boss CE-2 Chorus – Long Dash – Silver Screw – FREE SHIPPING!!!!!!!!

Portland Oregon Great thread, and simply amazing the ammount of information that people like Guage and others have compiled. I’m glad to have these boards when I need to mod stuff cause there is just SO much info. Are there any specific mods that should be done first to make it any ore “versatile”??? Like closer to the BD-1 maybe??? I’m not trying to re-invent the wheel, but I got this thing for next to nothing, so Im not scarred to do a bit of “tweaking and modding” and I now that these pedals get a LOT of that done to them aye.

I just want t take AWAY some of the “shredder” tone and give it more warmth and less fizz.

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Part 1 I love Boss pedals. Despite their conformity and common size each pedal has its own personality and unique function. I have this theory that everyone is a collector of something, and for me it must be these pedals. They really nailed many legendary sounds on the first try, I can only think of a few effects that they never successfully made their own—those being wah, whammy, fuzz, and vibe effects. Kurt Cobain used one until he broke it and graduated to a DS Boss pedals are like memory boxes that capture a particular feeling—a moment in time.

At least the older ones do. The new ones are made of crap. The year that changed everything. They demanded an all-in-one box that would grant them the godlike abilities of the guitar virtuosos—sizzling pinch harmonics, light speed heavy metal pick sweeping, and laser beam tapping solos. Boss was netting record profits and the corporate decision was of course to ramp up production while cutting costs. In Taiwan they began to use cheaper components, not to mention the designs began to favor the falling prices of digital technology to more costly and outdated analog design.

Boss CE-2W

Left side of the top rack pedal board. Right side of the top rack pedal board. This feature was never used. The system allowed for multiple effect combinations controled with the Bradshaw foot control board. Effect rack 2 right 1. Furman PL-8 power conditioner and light controller – used only for lighting the rack 2.

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Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal.

Housed in a robust metal chassis with an attached AC cord, the CE-1 contained the same analog chorus and vibrato circuitry from the original Jazz Chorus amp. While both of these effects sounded great in mono, the CE-1 offered up its real magic when used in stereo with two separate amps. This delivered an incredibly rich and immersive sound experience that was a true joy to play.

The CE-2 Chorus, released in Soon after the iconic BOSS compact pedal line was launched in , guitarists started requesting the CE-1 chorus sound in this smaller, battery-powered format. In , these demands were answered with the CE-2 Chorus.

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Boss CE-2 Chorus

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